"Woe to you, you scribes and Pharisees, you hypocrites; you are like whited sepulchres, fair in outward show, but inwardly full of dead men’s bones, and all manner of filth and corruption."
Matthew 23:27
"An' now," said the sweated one, the 'earty man who worked so fast as to dazzle one's eyes, "I'll show you one of London's lungs. This is Spitalfields Garden." And he mouthed the word "garden" with scorn.
The shadow of Christ's Church falls across Spitalfields Garden, and in the shadow of Christ's Church, at three o'clock in the afternoon, I saw a sight I never wish to see again.
There are no flowers in this garden, which is smaller than my own rose garden at home. Grass only grows here, and it is surrounded by a sharp-spiked iron fencing, as are all the parks of London Town, so that homeless men and women may not come in at night and sleep upon it.
As we entered the garden, an old woman, between fifty and sixty, passed us, striding with sturdy intention if somewhat rickety action, with two bulky bundles, covered with sacking, slung fore and aft upon her. She was a woman tramp, a houseless soul, too independent to drag her failing carcass through the workhouse door. Like the snail, she carried her home with her. In the two sacking- covered bundles were her household goods, her wardrobe, linen, and dear feminine possessions.
We went up the narrow gravelled walk. On the benches on either side arrayed a mass of miserable and distorted humanity, the sight of which would have impelled Dore to more diabolical flights of fancy than he ever succeeded in achieving. It was a welter of rags and filth, of all manner of loathsome skin diseases, open sores, bruises, grossness, indecency, leering monstrosities, and bestial faces.
"Are there no workhouses? Are there no prisons?"
A chill, raw wind was blowing, and these creatures huddled there in their rags, sleeping for the most part, or trying to sleep. Here were a dozen women, ranging in age from twenty years to seventy. Next a babe, possibly of nine months, lying asleep, flat on the hard bench, with neither pillow nor covering, nor with any one looking after it. Next half-a-dozen men, sleeping bolt upright or leaning against one another in their sleep.
In one place a family group, a child asleep in its sleeping mother's arms, and the husband (or male mate) clumsily mending a dilapidated shoe. On another bench a woman trimming the frayed strips of her rags with a knife, and another woman, with thread and needle, sewing up rents.
Adjoining, a man holding a sleeping woman in his arms. Farther on, a man, his clothing caked with gutter mud, asleep, with head in the lap of a woman, not more than twenty-five years old, and also asleep.
It was this sleeping that puzzled me. Why were nine out of ten of them asleep or trying to sleep? But it was not till afterwards that I learned. IT IS A LAW OF THE POWERS THAT BE THAT THE HOMELESS SHALL NOT SLEEP BY NIGHT.
On the pavement, by the portico of Christ's Church, where the stone pillars rise toward the sky in a stately row, were whole rows of men lying asleep or drowsing, and all too deep sunk in torpor to rouse or be made curious by our intrusion.
"A lung of London," I said; "nay, an abscess, a great putrescent sore."
"Oh, why did you bring me here?" demanded the burning young socialist, his delicate face white with sickness of soul and stomach sickness.
"Those women there," said our guide, "will sell themselves for thru'pence, or tu'pence, or a loaf of stale bread."
He said it with a cheerful sneer.
But what more he might have said I do not know, for the sick man cried, "For heaven's sake let us get out of this."
Jack London, The People of the Abyss, 1903
“Thus, it should be understood that when pro-US figures use the term, 'rules-based international order,' they are not referring to anything analogous to the rule of law. Quite the opposite, they are using Orwellian language to describe a system in which essentially no rules can be established and/or observed, given that the dominant state has the prerogative to violate and/or rewrite “rules” at its whim.” Aaron Good, American Exception